景德镇学院学报

被中外誉为“陶艺泰斗”的周国桢教授,从艺七十年创作了大量被世人赞叹的优秀陶瓷雕塑作品,同时在陶瓷绘画领域也颇有建树。他的陶瓷绘画创作经历了高温颜色釉、青花釉里红、釉上彩这三个不同表现材料的演变,但其绘画创作主旨始终贯穿着“不似之似”的美学理念。本文通过分析周国桢在高温色釉装饰、青花釉里红、釉上手指画这三大类创作实践的作品,探究其陶瓷绘画艺术中的“不似之似”。

Professor Zhou Guozhen, hailed both domestically and internationally as"doyen of ceramic art", has, over his seven-decade career, created a large body of acclaimed ceramic sculpture works. He has also achieved remarkable success in the field of ceramic painting. His ceramic painting has gonethrough an artistic journey with three mediums along with it: high-temperature color glaze, underglaze blue and copper red, and overglaze enamels. Yet, the aesthetic principle of"likeness in unlikeness"has consistently been the guiding thread throughout his creative evolution. This paper examines the aesthetic concept of"likeness in unlikeness"in Zhou Guozhen's ceramic paintings through an analysis of his works across three major creative practices: decorative painting in high-temperature color glaze, painting in underglaze blue and copper red, and overglaze finger painting.